Why Story is Letting Us Down In Our Everyday Lives

Ten years ago, I worked at a marketing agency when storytelling and blogging were finally getting some street cred. Folks were seeing the SEO power in regular blogging and it soon became a buzz word to "tell your story." As a writer and editor, I was in my wheelhouse helping business owners shift away from marketing that was stale, outdated and uninteresting, and instead steering them toward owning what was distinctive about their products, services and history.

There was a lot to be said for the business folks who were charting into this new territory--they had tried pushy or lackluster messaging, and they were ready to dabble in something a little more transparent. Story gave everyone a gift in this way: it generally convinced business owners that "Buy my stuff" wasn't a winning pitch. 

Story doesn't hold the sway it once had, and I've been wondering why

But something has been shifting for me recently around story and its use as a mainstream tool. The other day I heard a commercial on TV where some bro said, "Be the hero of your own journey!" Which is a direct and unimaginative lift from a basic writing structure known as the hero's journey. (In short, it's a structure used en masse by writers where there's the main person in a story who is on a quest and who is strategically thwarted and assisted along this quest until they arrive at the destination as, you guessed it, the hero.) The guy in this commercial didn't even try to add flourish to their bastardization of story. I genuinely think they hoped that no one would mind such juvenile pandering. I guess I can appreciate that at least they're being honest about their laziness. With this commercial as just one example, it's no wonder why I've been feeling like story is letting us all down. 

When story is commercialized, it falls flat for a few reasons

First, story is inherently biased. When you think about a story, the details are within the control of one person or a select group of people. There is only so much neutrality that humans can bring when telling a story. This means that the scope of reach is inherently narrow and should be for a specific intended audience. Also, story is finite, one-sided and based in persuasion. Even the writer who isn't writing cheesy commercials is trying to persuade you. If their characters or plot twists aren't believable, the book gets tossed quickly. I also think that story has become too accessible to people who aren't called to be Storytellers (capital letter intended). I think we've forgotten that Storytellers are deeply gifted and called to a very specific path in life. When you function in this world as a natural Storyteller, you stand on sacred ground.

What people want instead of today's storytelling

 I think people are beginning to reject the concept of storytelling as it is today, and they're seeking something more than one-sided, sometimes bastardized, click-this-link or buy-my-product storytelling. (I know I am.) If I could trade out this mass storytelling, I would choose someone someone who will walk. Someone who can walk through something with me or beside me through a challenge I'm facing. What do you think? Think about this, rather than one-sided narratives being pushed on you, walking would require something much more powerful than story as we know it today. It would involve:

- pacing

When you walk beside someone from a place of care and intention, you let their stride influence yours.

- patience

Walking implies that the other person might slow down or stop or get lost or want to do something differently than you had intended—and you have to know how to be patient and collaborate with their needs.

- direction

When you go on a walk with someone, you need to know where you're both going eventually. This isn't an aimless pursuit.

- inclusion

This taps at the first three qualities, but it's important enough to stand on its own: walking beside someone means you can include them and be influenced by their perspectives. This helps protect you from potentially coming across as someone who just talks down to them.

What this means for writers

If you're a writer and you're feeling nervous about the possibility that story is letting us down, don't be. As far as I see things, you're in a place to evaluate what you've done to story and if you've been honoring the talent you have as a born Storyteller. Have you been pulled in by the flashy and shiny and quick storytelling of today's mass market? If so, it's a great time to pull back and look within.

I sincerely believe that the Storytellers are meant to maintain this great tradition and bring back the integrity and singularity that's inherent inside it. If you feel like you've been watering down your writing, writing down things you know are unconvincing or shallow, own it. Own the reality that you live in a world where we all have to pay the bills and a lot of the time that means writing what the people want. But what you write on your own time is for you and it's sacred. Don't let anyone tell you differently.

What this mean for non-writers who have been pretending to be Storytellers

I think it's time for non-writers to hand the storytelling back to the people who know what they're doing. It's time to take a look at what you've been convincing yourself is worthwhile to talk about and be brutally honest. If it sucks, it goes. If it panders, it goes. If it is not built from a foundation of trustworthiness, it goes. And if you are not a born Storyteller, hand the reigns back to someone who is and listen to them. Let them speak to what it means to share a story in the right way, at the right time with the right person. It's OK if you're not a natural Storyteller. What I know, without a doubt, you have the capacity to do is walk. Walk beside people in your life and your business—check your listening skills and your ability to keep pace with the people in your sphere. Do you know how to slow down for their sake? Whatever you do, let go of story for the sake of selling and let the Storytellers lead the way again.

Why you should skip NaNoWriMo this year if your writing practice feels stuck

What if I told you that NaNoWriMo might be bad for your writing practice?

What if I said that forcing yourself to sit down at a desk every day for the month of November, to hit an arbitrary word count, could actually be getting in the way of writing down what you're really trying to say?

You might say that I'm crazy because prevailing wisdom has conditioned writers to believe that hitting a certain word count is a worthy aspiration.

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The Nature of Voice Series

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Who is this for?

This series was created for anyone who uses (or desires to use) the written word as a way to express their viewpoints and/or to share stories. If you feel called to a richer writing practice, but struggle with inner resistance and doubt, this series is for you.

Goals

 By the end of this series, you should be able to:

  • define how your Voice has been and is shaped today by life, events, environments, family, social media and more.

  • recognize and work with the ebbs and flows of your personal writing practice in light of your own Voice

Weekly Themes + Focus

Week 1: Seeing Voice as a reflection of your relationship with yourself, view points and self-expression

Week 2: Identifying what your Voice sound like inside you, when you're in the company of friends vs. strangers and on the page.

Week 3: Looking at what nourishes or creates barriers to Voice, including social media, "rules" from school and more.

Week 4: Exploring how we respond to seasons of writing practice and the inevitable ebbs and flows.

Week 5: Cultivating "unconditional friendliness" to Voice and ourselves.

Structure

  • Ten participants (plus the host) will meet on Sunday for five weeks in the month of October at 7 p.m. MDT in a private Zoom room.

  • The opening exploration of each week's topic will be recorded, but the group participation and conversation will not.

  • There is no fee to participate.

Dates & Times

Oct. 3

Oct. 10

Oct. 17

Oct. 24

Oct. 31

6 p.m. PDT | 7 p.m. MDT | 8 p.m. CDT | 9 p.m. EDT

Who's Hosting?

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Amanda Bray Hinton is a long-time book and online editor whose own relationship with writing took a turn six years ago. Wanting to understand authors more deeply, she plunged into the trenches of what it means to be a writer who produces meaningful work from the heart. The Nature of Voice series pulls from Amanda's professional experience as an editor as well as discoveries from her own journey to let Voice surface and thrive both on and off the page.


How to sign up

The nature of voice: how, when and where it emerged in the last 15 years

In high school I could sing a mean alto.

Fashionably dressed in overall shorts and a high-collared T-shirt for modesty's sake, I sang harmony in the church's youth band my junior and senior year of high school. I liked blending in, to be honest. I enjoyed giving the lead singer something to bounce off of. What I didn't want folks to know is my eagerness to be the back-up singer was rooted in a fear of sounding like everyone else.

Even 20 years later, when I sing along to my favorite songs in the car, one minute I can sound like Reba McEntire and the next like that chick from Evanescence with ghost-colored skin. There's a twang one minute and none the next.

Over the years, I've worked earnestly—and secretly—to see what "my sound" could possibly be. Isn't that the thing that sets recording artists apart, after all? That they sound familiar and surprising at the exact same time? I don't think I ever believed I was a fit for the recording music industry. But I've been stumped for decades about why my voice has never been able to sound just like "me."

In certain seasons of life, the same "chameleon" quality showed up in my writing voice.

As a fledgling writer of 23, I had people urging me to write a book, and I thought nothing could be more absurd.

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Why this writer is saying goodbye to social media

A few months ago I took a sabbatical from social media. It was on the heels of being diagnosed with Autism Spectrum Disorder and learning that I have been trotting through this world with, among many other things, "low registration." Which is basically a way to say that sensory inputs—lights, sounds, touches, sensations—don't register in my brain until I am about an inch away from being overwhelmed.

This helped explain a lot about my daily life and why I have instinctively backed away from a lot of "normal" socialization over the years that I had once felt was necessary in order to be accepted. The reality is that things that might not bother you in the slightest silently pile up and up and up until they push me over the edge. And then I feel like everything is much too big, loud, confusing and, occasionally, even frightening.

So I had to start thinking about "sensory inputs" in more granular ways, with an eye to catching the potential for being overwhelmed (and then put out of commission for a few days). That's initially why social media got the boot. And I've discovered a lot since then—mainly that it's time to say goodbye for a handful of reasons.

I've learned that my brain doesn't work with social media in casual ways.

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Offering unconditional friendliness to everything, even my writing practice

In last week's blog I shared a side of myself that I'm not used to showing.

The side of me that has imaginary conversations with dead writers.

When I wrote that piece, I had just gotten off the phone with my good friend, Cindy, in which we were commiserating about the perils of being a writer. The ups and downs of living in this world do seem to come with a great cost. It was comforting to hear that I wasn't alone in my patterns of self-doubt and clever avoidance techniques.

Talking with Cindy about my writing malaise was a step forward for me. Usually when I'm in the "depths of despair," I withdraw. In fact, years ago a friend told me that one of my great skills is finding a corner where I can lick my wounds in private. That image has never left my mind.

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